Welcome to the Forward’s coverage of the visual arts, including painting, drawing, sculpture, ceramics, and crafts.
Visual Art
The Latest
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The Schmooze Slideshow: New Moon as Meaning and Metaphor
“Rosh Hodesh: Beginning and Renewal,” a community art exhibition on view at the San Francisco Bureau of Jewish Education’s Jewish Community Library until July 31, begins and ends with an egg. Curator Elayne Grossbard selected Amy Kassiola’s colorful mixed media “One Cycle of the Moon,” which depicts the egg of a woman’s menstrual cycle, as…
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The Schmooze Man in the Mirror
Crossposted from Haaretz “Heaven,” a work by Miroslaw Balka now showing at Hangar 2, Dvir Gallery’s space in the Jaffa Port, stirs more than a trace of irony. Sixty-eight Perspex rods, each wrought in a kind of open spiral, turn slowly, “flowing,” reminiscent of decorative objects sold at spiritual fairs or plant nurseries. In the…
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The Schmooze Q&A: Maira Kalman on the Illustrating Life
On March 11, “Various Illuminations (of a Crazy World),” the first museum exhibition devoted to New York illustrator and author Maira Kalman, opens at the Jewish Museum. The show, which debuted in Philadelphia last summer and then traveled to the West Coast, gives Kalman’s fans a rare opportunity to see the original artwork behind her…
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The Schmooze Are We Living in a Golden Age of Jewish Art?
Most people do not know that we are living in a golden age of Jewish American art. But, as I will explain in a lecture at the Jewish Museum on March 7, we are. Since around 1975, there has been an incredible but largely ignored outpouring of art based on the Bible, the Talmud, Kabbalah,…
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The Schmooze Slideshow: Order, Chaos and Psychedelic Snails
It would be fair to call Jon Axelrod’s paintings synesthetic. They are, after all, visual representations of sound. However, these aren’t the idiosyncratic cross-sense connections of an unfettered mind. His is a willful synesthesia. Axelrod uses science and math to reveal relationships between color, shape and sound. He finds kinship, for example, in the frequency…
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The Schmooze The Return of Mark Epshtein, a Forgotten Master of the Yiddish Avant-Garde
A version of this post appeared in Yiddish. The name Mark Epshtein (1899-1949) no longer occupies a prominent place in Yiddish cultural history, but a current exhibit in Kiev brought the artist back to the city where he created his most important work. “The Return of the Master,” which runs until February 20 at the…
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The Schmooze Bird Made of Wire
Crossposted from Haaretz A cloud of having missed the mark hovers over “Forehead Mesh,” Aaron Adani’s exhibition at the Kibbutz Gallery in Tel Aviv. There are quite a number of beautiful of works in it and interesting treatment of wire mesh (chicken wire, a material often used in art courses ) but it seems as…
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The Schmooze Leo Castelli, an Art Dealer With Attitude
He gave chic new definition, boosted the New York art scene, and went to such brazen lengths as to deliver artwork unrequested to the Museum of Modern Art and simply send a bill. He was known to have commandeered a gondola with his pals to transport art in time to compete in the Venice Biennale….
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