‘A Real Pain,’ ‘The Brutalist’ and ‘Nobody Wants This’ rack up Golden Globe nominations
The awards are brimming with unexpected Jewish connections
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Film & TV The real problem with ‘A Real Pain’ is that it isn’t Jewish enough
Jesse Eisenberg's movie follows a Holocaust tour and the pain of its participants, but seems to forget those things are connected
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Film & TV Can ‘September 5,’ a film about Israeli hostages in a time of Israeli hostages, survive the news cycle?
Tim Fehlbaum’s film about the Munich massacre is hard to separate from today’s headlines
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Film & TV Why movies are tackling a real pain: memory and Holocaust tourism
The films ‘Treasure,’ ‘Delegation’ and ‘A Real Pain’ use tours of Poland as a backdrop for character studies
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Culture ‘A Real Pain’ is Jesse Eisenberg’s love letter to Poland, the country his family left under duress
Eisenberg directs and stars in the road-trip movie with Kieran Culkin, who plays his cousin
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Film & TV In a searing new documentary, unimaginable pain and suffering in the West Bank
Winner of the Best Documentary award in Berlin, 'No Other Land' arrives with images of war and pleas of peace
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Opinion I directed a controversial Israel documentary. Efforts to cancel Jonathan Glazer are a symptom of a bigger problem
It's all part of a broad effort to delegitimize the voices of Jews who diverge from the mainstream
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Fast Forward ‘Zone of Interest’ producer calls Jonathan Glazer’s Oscars speech a ‘distraction’
Separately, the Auschwitz Memorial defended Glazer's remarks
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Fast Forward Jewish postwar epic ‘The Brutalist’ picks up 10 Oscar nominations, with ‘A Complete Unknown’ close behind
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Yiddish װי די סאָװעטישע געהײם־פּאָליצײ האָט נאָכגעשפּירט די ייִדישע ליטעראַטןHow the Soviet secret police kept surveillance on Yiddish writers
נײַע אַרכיװאַלע דאָקומענטן אַנטפּלעקן אַ ים מיט מסירות, װאָס אײניקע ייִדישע ליטעראַטן האָבן געשריבן אױף זײערע קאָלעגעס.
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Fast Forward Alleged Nashville school shooter appears to have praised Hitler and shared neo-Nazi content
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Film & TV In the Oscar race: Bob Dylan and Laszlo Toth face the limits of Jewish reinvention
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