Adam Jacobs has a 1,000-megawatt smile that would put the young Donny Osmond to shame. And he puts it on constant display at the New Amsterdam Theatre in the heart of Times Square, where he plays the title character in the latest Disney megahit, the well-received “Aladdin.” The son of a Filipino mother and Jewish…
“Alice Longworth Roosevelt said, ‘First you’re young, then you’re middle-aged, then you’re wonderful,’” Stephen Sondheim remarked at the conclusion of his 80th birthday celebrations at Avery Fisher Hall in 2010. Now very much in his wonderful years, Broadway’s greatest living composer-lyricist is experiencing a phase in his career where revivals, musical reviews and fêtes honoring…
Even if you’re not a theater nerd, Warren Hoffman’s “The Great White Way” (Rutgers University Press) makes a fascinating read. The book’s subtitle, “Race and the Broadway Musical,” only hints at its breadth, and the depth of Hoffman’s laser-sharp analysis of an all-American art form. Billed as “the first book to reveal the racial politics,…
Somewhere in the universe of critics, a Broadway purist will dismiss “Beautiful: The Carole King Musical” as just another jukebox show. But don’t mention that to Jarrod Spector, 32, who portrays Barry Mann: “A jukebox musical is something like ‘Mamma Mia,’ where you take a bunch of songs and make up a story around them….
“A Gentleman’s Guide to Love and Murder” is easily the best reviewed musical of the season. It marks the Broadway debut of Robert L. Freedman (book and lyrics) and Steven Lutvak (music and lyrics), who were praised by The New York Times for a score that “establishes itself as one of the most accomplished (and…
Once upon a time, Americans grew up humming show tunes. They dominated radio airwaves, so, even if you hadn’t seen the musicals (or the films made from them), you knew the melodies and words to the songs of “Oklahoma,” “Carousel” and “My Fair Lady.” But that changed as pop, rock and rap started to control…
Glen Berger wasn’t surprised when the announcement came. He’d had an inkling that “Spiderman: Turn off the Dark” was on the last of its eight legs well before producers made it official. “I was speaking to some of the actors back in August, and the general feeling was that unless a miracle happens we were…
The publication of Alisa Solomon’s “Wonder of Wonders: A Cultural History of Fiddler on the Roof” has seemed to reassert the prominence of “Fiddler” as the Jewish musical to end all Jewish musicals. “Fiddler,” Eileen Reynolds wrote in her review of Solomon’s book, “has achieved something like folklore status in the American imagination, and grapples,…
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