Welcome to the Forward’s coverage of klezmer, an instrumental music genre of Ashkenazi Jews.
Welcome to the Forward’s coverage of klezmer, an instrumental music genre of Ashkenazi Jews.
Welcome to the Forward’s coverage of klezmer, an instrumental music genre of Ashkenazi Jews.
Welcome to the Forward’s coverage of klezmer, an instrumental music genre of Ashkenazi Jews.
Ever since the beginning of the klezmer revival in the 1970s, music critics and musicians have wondered just how close to its European roots the music they were performing is. The musicians of the 1970s had access to only two sources from which to learn: the few still-living musicians, such as clarinetist Dave Tarras, and…
The scent of herring; owlish spectacles; dusty, tragedy-laden archives; scratchy vinyl records you wouldn’t want your friends to know about — these are the things one sometimes associates with Yiddish culture. For more than three decades, Michael Alpert has worked hard on preserving and reviving an Eastern European Jewish tradition that is precisely the opposite…
It’s as if the rain knew to stop precisely at 6 o’clock. After one of the wettest days of the month, the sky turned from gray to blue, the clouds parted for the last hour of Tuesday sun, and Yiddish Soul took the stage at Central Park’s Rumsey Playfield. The concert, a showcase of cantorial…
It would have taken the fanciful imagination of a writer like Haruki Murakami or Salman Rushdie to have invented a scrappy quartet of Japanese musicians who play a punk-rock infused brand of Ching Dong — a style of Japanese street music roughly analogous to New Orleans parade band music — until one day the leader…
Photo: Michael Macioce The Arty Semite wishes Brooklyn musician Pete Sokolow a speedy recovery. Sokolow suffered a stroke last month and ended up missing the last KlezKamp. The man who came to be known in the klezmer revival as “the youngest old guy” is a little weak on his right side but many are hoping…
Perhaps the most famous event in modern klezmer happened when Henry Sapoznik, 61, went to North Carolina as a young man to study banjo with oldtime player Tommy Jarrell. Jarrell, realizing that Sapoznik was Jewish, asked the younger musician, “Don’t your people got none of your own music?” That question helped launch the klezmer revival,…
Thirty years ago, klezmer music was a dying art, played mostly by aging musicians at the occasional wedding or bar mitzvah. That started changing in the late 1970s with the klezmer revival, and especially with KlezKamp, one of the first klezmer festivals and a training ground for new artists. Now, KlezKamp, the annual festival of…
As decades roll, it is becoming increasingly clear that the klezmer revival of the late 1970s was neither a fleeting fad nor a bout of nostalgia; it was a serious identity exploration. The longevity and evolution of certain early groups — The Klezmatics, the Klezmer Conservatory Band — is telling enough. Yet, the most important…
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