In Russia, A Jewish Director’s Trial Marks A New Threat To Freedom
At the Cannes International Film Festival in May, Kirill Serebrennikov was everywhere. His nametag on a table at a press conference. His film “Leto” mentioned as a top contender for the Palme d’Or. His eyes looking out from square-frame glasses, printed on a paper bag the actress Franziska Petri wore over her head. On a…
