If you’ve been to a Seder in the United States some time in the last 80 years, you’ve probably come across the Maxwell House Haggadah. The iconic blue cover and dual-column Hebrew and English translations have arguably become almost as emblematic of the holiday as the Seder plate and Elijah’s cup among Jews of the…
Earlier this week, artist Jan Aronson wrote about how she became an illustrator and her illustrations for “The Bronfman Haggadah.” Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit: Many people have asked why…
Earlier this week, artist Jan Aronson wrote about her illustrations for “The Bronfman Haggadah.” Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit: When Edgar Bronfman asked me to illustrate the text of “The…
Jan Aronson is the illustrator of the “The Bronfman Haggadah” published by Rizzoli. Born in New Orleans, New York-based artist Jan Aronson has had more than 70 solo and group exhibitions. Read more about Jan here. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s…
Pickling cucumbers, cultivating yeast for Challah, sewing tallit … these hebraic homesteading projects are certainly not for everyone. But most Jews would agree that plenty of our traditions instill a cool-before-it-was-cool “Do It Yourself” aesthetic. This is a culture that often made do with very little and did it all behind closed doors, or within…
Jonathan Safran Foer’s best-selling, star-studded New American Haggadah failed to credit original Hebrew text lifted from another prominent Haggadah, the novelist has acknowledged to the Forward. Future printings of the New American Haggadah will credit the older text, Foer said. The lifted Hebrew text came from “The Feast of Freedom,” a Passover Haggadah published in…
Last week I dealt with the New American Haggadah, edited by novelist Jonathan Safran Foer. A few days after writing the column, I noticed an op-ed by Foer in The New York Times in which he discussed the new Haggadah in light of his evolving relationship with Jewish tradition. Speaking about how raising children has…
At our Seder, before we tackle the Haggadah itself, there are words — they change each year — that are intended to frame the proceedings. Here were some of this year’s introductory words: Any serious consideration of the freedom we celebrate at the Seder table is inherently political (as, obviously, was our rebellion against Pharaoh)….
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