Stories republished from Haaretz, Israel’s newspaper of record.
For coverage of Haaretz itself, see Israeli media.
Stories republished from Haaretz, Israel’s newspaper of record.
For coverage of Haaretz itself, see Israeli media.
Stories republished from Haaretz, Israel’s newspaper of record.
For coverage of Haaretz itself, see Israeli media.
Stories republished from Haaretz, Israel’s newspaper of record.
For coverage of Haaretz itself, see Israeli media.
Crossposted from Haaretz There was a stir at a conference of Mediterranean writers in Marseilles yesterday when Israeli author Moshe Sakal was booted from a panel discussion at the request of Palestinian poet Najwan Darwish. The director of the conference, French-Jewish author Pierre Assouline, said Sakal’s participation in the panel, which was on the Arab…
Crossposted from Haaretz It’s nothing new for an artist or gallery to harness Facebook and other social media to spread the word and bring people in, but now the Tel Aviv Museum of Art has taken it a step further, by mimicking the platform for a new art exhibit. “Facelook” is intended for the whole…
Crossposted from Haaretz What a pleasure it is to enter a space that conveys relevance of language, even before delving into the details. As soon as you enter Tel Aviv’s Rawart Gallery it becomes clear that “Auto” is an excellent exhibition. There is something in the general look that just says “contemporary,” of the kind…
Crossposted from Haaretz The Tel Aviv Cinematheque has moved to new premises on Ha’arba’a Street, adjacent to its old home, after six years of construction. Although the official dedication of the site will take place in January, films are being screened, the library is operating and the staff is housed in their new offices. The…
Crossposted from Haaretz On paper, and sometimes in practice, there are several good reasons for not getting excited about the annual Tel Aviv Piano Festival. Among them are the festival’s formal and conservative nature, the way the problematic concept of hospitality is dealt with, the absence of a rhythmic component in most of the events,…
Crossposted from Haaretz Up until around two years ago, Lo Dubim (which translates to “No Bears”) was one of the most active and well-liked bands in the Tel Aviv and festival indie scene, from InDNegev to the Menashe Forest Festival and back in time to the Hutzmizeh Festival. But then, suddenly there was no trace…
Crossposted from Haaretz The closing performance of the Jerusalem Oud Festival, starring the singer Aynur Dogan, exemplified the festival’s beauty and necessity. Even in times when the word “flotilla” brought to mind pleasant connotations, Israeli music lovers did not have many opportunities to enjoy a leading Turkish singer. In recent times, marked by Israeli-Turkish hostility,…
Crossposted from Haaretz The mostly secular crowed at Mike’s Place in Tel Aviv had a religious experience last week when the five-piece Haredi Hip Hop band Shtar took to the stage, traditional wardrobe intact. It wasn’t long before the crowed began to sway to the rhythm of rapper Ori M’Ori’s tassels, as he hammered out…
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