Film
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The Schmooze The Druze Who Can’t Come Back
Crossposted from Haaretz The documentary “Shout,” screened at the Haifa International Film Festival, outlines the dilemmas facing young Druze from the Golan Heights who leave to study in Damascus and cannot return. Minarets slice the skyline and gray residential buildings stand among them. Uniformed police pass through the streets scrutinizing passersby. Two young men in…
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The Schmooze Woody Allen’s Comfortable Delusions
It doesn’t take long to work out that Woody Allen’s latest film, “You Will Meet a Tall Dark Stranger,” is about the merits and limits of delusion. The film is structured like a high school term paper, à la: this will be a film about deluded people; here are some deluded people; this has been…
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The Schmooze Why Israel’s New Oscar Entry Is a Disaster
“The Human Resources Manager” is an odd film. That it was recently announced as Israel’s entry into the Academy Awards’ Foreign Language category, after winning five Ophir Awards including Best Feature, says less about the movie itself than it does about the goodwill accrued by director Eran Riklis for more accomplished features such as “The…
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The Schmooze The Big Life of a Small Woman
Tearful laughter, raunchy story telling, and punchy witticisms are not the typical ingredients one expects to find in a tribute to a late literary legend. Then again, Grace Paley and ‘typical’ never met. Last Tuesday the Center for Jewish History and Jewish Women’s Archive paid homage to the poet, short story writer and political activist,…
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The Schmooze Jack Abramoff’s Religious Escape Hatch
Before Jack Abramoff was an American super-lobbyist, half-successful restaurateur, and convicted con man, he was a movie producer, known for bankrolling the 1989 Dolph Lundgren actioner “Red Scorpion” (part of Cold War cinema’s deconstructionist, though still violently anti-Soviet phase). It’s appropriate then, that George Hickenlooper’s Abramoff biopic, “Casino Jack,” which premiered last week at the…
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The Schmooze Museum of Tolerance Honors Clint Eastwood
In the movies, Clint Eastwood’s cowboys, inspectors and emotionally wounded tough guys made him a cultural icon of American manhood. In real life, the Oscar winner will soon be honored for another role: bringing justice and tolerance to the big screen. As “Dirty” Harry Callahan said, “Go ahead, make my day.” On November 14, Eastwood…
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The Schmooze Charlie Chaplin’s Jewish Barber
For 70 years, fans of Charlie Chaplin’s “The Great Dictator,” now widely available on DVD, have marveled at the prescience of the comedian’s anti-Nazi satire. Filmed before America actually entered World War II, when some Hollywood movie moguls still soft-pedaled critiques of Hitler, “The Great Dictator” continues to fascinate today. Recently published by Les éditions…
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The Schmooze How Dustin Hoffman Rescues a Movie About Marriage and Misery
If “Barney’s Version” does one thing really well, it’s recreate the blithe comic tone of the Mordecai Richler novel on which it is based. This faithfulness has everything to do with casting. Director Richard J. Lewis and producer Robert Lantos’s big screen “Barney’s Version” — which premiered at the Venice Film Festival last week and…
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