Asya Geisberg, a painter and Jew from St. Petersburg, has lived in the U.S. since 1977. She opened her eponymous gallery in 2010, favoring exhibitions that encompass the crossing of cultures. This summer’s group show, “Centaurs & Satyrs,” on view until August 17, is dedicated to the notion of hybridity. Mythological creatures with magical powers,…
For “Home on Native Land,” a beautifully presented show of provocative new work by Indigenous and Aboriginal artists at Toronto’s Bell Lightbox cultural center, curator Steven Loft channeled his Mohawk heritage. But the exhibit’s dominant themes — home, roots, historical injustice — might also speak to Loft’s Jewish identity. Aboriginal on his father’s side, Loft…
Outside the entrance to London South Bank University’s (LSBU) Southwark campus (previously known as Borough College), a crest of arms sits below an ornate art deco glass window with the inscription, “Do It With Thy Might.” The insignia has a contemporary resonance; in June the building became home to the Borough Road Gallery, housing the…
Unless you live in Toronto, it’s difficult to grasp the cultural, commercial, and Jewish significance of Honest Ed’s. Opened in 1948 by Ed Mirvish — the American-born son of Lithuanian immigrants — the 160,000-square-foot discount emporium has become a kind of landmark for its casino-like exterior, mind-numbing array of goods, and retail showmanship epitomized by…
As someone who has spent a lifetime working in museums, I’ve long been sensitive to the decisions made in the process of selecting or omitting works for display. According to a recent article on Tablet Magazine, and another in The New York Times, The Jewish Museum in New York made the decision to remove “Stelen…
Crossposted from Haaretz A huge, interactive movie screen made by Israeli designer Ron Arad will be the backdrop to films and performances at the Israel Museum in August. The cylindrical installation at the Jerusalem museum is one of dozens of exhibits, events and activities that make up this year’s Jerusalem Season of Culture, which begins…
Crossposted from Haaretz When Kobi Ben Meir was working on the Israel Museum’s new “Good Night” exhibition, he constantly had the song “Layla, Layla” playing in his head. In the end, the curator chose to sing the song on camera, in a hesitant voice and with a very embarrassed expression. It’s now part of the…
Crossposted from Haaretz More than an exhibition, “Iran” is a gag. Most of the works featured and meant to warn of war, are of a kind of intentional, aware subconscious. The problem is that they really are substandard. “Iran” is an annoying exhibition. Usually annoying exhibitions are much more interesting than ordinary fine, tight exhibitions…
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