Critics aren’t liable for the headlines the copy desk gives to reviews, so no point chiding The New York Times’s James Oestreich for the burdened praise pinned on a rising Israeli pianist’s recent New York recital: “Inon Barnatan Soldiers Through Hallowed Works.” I winced, because the review itself described a “fascinating and rewarding” evening of…
Earlier this year, Alan Gilbert, music director of the New York Philharmonic, announced that he would step down from his job in 2017. With Avery Fisher Hall, the orchestra’s home, scheduled to close in 2019 for two years of renovation, fevered speculation has ensued about his successor. Music directors should quit more often, as such…
After listening to and viewing a rehearsal for the New York Philharmonic Orchestra’s presentation of “In Seven Days,” the 2008 concerto for piano and moving image by Thomas Adès and Tal Rosner being performed January 7 and 8 at Avery Fisher Hall, I was ready to become a creationist. Not that the piece works to…
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