It was appropriate that the moderator for Alba Arikha’s talk last week at London’s Jewish Book Week was the war correspondent Janine di Giovanni. Di Giovanni is noted for preserving the human dimension in the complexities of conflict. Likewise, “Major/Minor,” Arikha’s recently published memoir, digs deep beneath the surface to explore her tempestuous relationship with…
Photo by Neta Alonim The iconography of fashion is perhaps not the most obvious tool with which to parse the complexities of the Middle East. Still, everything else seems to have failed; more to the point, style does shares a common vocabulary. So, why not? “InSALAAM, InSHALOM,” a fashion collection and multimedia exhibit curated by…
At a gala ceremony in Tel Aviv January 16, author Haggai Linik joined a select group of literary luminaries when his third novel, “Darush Lahshan” (“Prompter Needed”) was awarded Israel’s Sapir Prize for Literature. Inaugurated in 2000, the Sapir Prize is Israel’s most prestigious literary prize. Awarded by Mifal HaPayis — the National Lottery —…
Crossposted from Midnight East “Development need not be an enemy of culture.” Nigerian theatre director Se-gun Ojewuyi mops his brow lightly as he speaks. It’s a warm afternoon, in the middle of rehearsals for the evening’s performance, but he is composed and unhurried as he reflects on his first visit to Israel. In late October…
In “Born,” a solo exhibition showing at the Sasha Wolf Gallery in New York through November 5, photographer Elinor Carucci presents intimate, at times unsettling, but always unflinchingly candid portraits of herself and her twin children. Born in Israel in 1971, Carucci started taking photographs at the age of 15. She moved to New York…
Nikita Pavlov Steve Reich’s 1988 composition “Different Trains” is immediately recognizable, even to those with just a passing interest in modern music. The piece has technical virtuosity, a melody intricately constructed using archival speech recordings, and indisputable aesthetic soundness. Beyond these virtues, one senses that deeply personal undertones inform the work. These include Reich’s peripatetic…
‘Chair’ by Micha Ullman, From ‘Under,’ 2011. Courtesy of The Israel Museum. Despite an almost clinical spareness immediately evident at The Israel Museum’s new Micha Ullman exhibition, one quickly comes to appreciate that the works — individually and as a whole — hint at something more than the stark minimalism they first suggest. Chairs appear…
High heels are a great way of attracting attention — think of Carrie Bradshaw teetering on vertiginous Manolo Blahniks in “Sex and the City.” But even she might have balked at slipping on one of Kobi Levi’s more imaginative designs. There’s “Chewing Gum,” for instance, capturing the moment just after the wearer has “stepped” in…
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