Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

David Bezmozgis Turning ‘Natasha’ Into Film

Photo: David Franco

A decade after its publication, Canadian author David Bezmozgis is turning his debut short story collection, “Natasha and Other Stories,” into a film. As with “Victoria Day,” his first cinematic endeavor in 2009, Bezmozgis, a graduate of the University of Southern California’s film school, is both writing and directing the project.

The stories in the breakout “Natasha” chronicling the saga of the Bermans, a Russian-Jewish immigrant family to Toronto, were hailed by critics as “dazzling,” “scary good,” and “stunning.” The book was translated into 15 languages and won several prizes. Virtually unknown prior to the collection’s publication, the Riga-born Bezmozgis’s literary star rose with “Natasha.” His celebrated first novel, “The Free World,” was published in 2011, and will be followed this coming September by a second novel, “The Betrayers.”

The film version of “Natasha” will focus on the title story, which comes in the middle of the collection.

“It comes at the midpoint and it relates to what comes before it and what comes after it, and it encompasses all the generations of the family,” Bezmozgis explained in a phone conversation with the Forward. “It gives access into the entire book. There’s a lot of drama in that story.”

The notion of trying to turn all of the stories in the book into a single film narrative did not make sense to the author. “I couldn’t do justice to the episodic nature of the collection,” he said.

Following three years of pre-production development, Bezmozgis will begin filming “Natasha” in Toronto in July. An independent production backed by Telefilm Canada, it will star Russian-speaking, mainly Canadian actors. “The young woman in the lead role actually lives in New York and is from Odessa,” the filmmaker shared.

With just a month to go before the start of shooting, Bezmozgis is still scouting locations. Recently, he put a call out on Facebook asking for leads on specific types of houses in a northern suburb of Toronto. “The film will evoke the sense of a particular part of the city, but viewers will see Toronto at large, too,” he said.

Following the completion of “Victoria Day,” which also dealt with immigrant themes and had a cast of Russian-speaking actors, Bezmozgis said he would welcome the opportunity to make another movie. He finds the collaborative, social atmosphere involved in filmmaking a welcome change from the intense solitude of fiction writing.

Accordingly, it might appear that Bezmozgis is deliberately alternating between writing books and making films. But that would be reading a bit too much into things. “That would presuppose that I have control over the timing of all this, which I don’t,” he noted.

Bezmozgis will, however, be alternating this fall between the editing of “Natasha” and events related to the launch of his highly anticipated new novel.

His intention is to juggle it all so that “Natasha” will be ready for screenings at film festivals in 2015 and for a theatrical release in 2015 or early 2016.

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.