Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Author Blog: A Word on Who I Am

Earlier this week, Ilan Mochari wrote about the autobiographical elements in his novel, “Zinsky the Obscure” (Fomite Press). His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:

Image by Kelly McDonald

A few months ago I finished Pete Townshend’s autobiography, “Who I Am.” I can’t say I was surprised to read the following:

We shared our house with the Cass family, who lived upstairs and, like many of my parents’ closest friends, were Jewish. I remember noisy, joyous Passovers with a lot of Gefilte fish, chopped liver and the aroma of slow-roasting brisket (11).

Why was I not surprised? As a lifelong fan of The Who, I’ve often felt there was something ineffably Jewish in their themes and melodies. I’m thinking in particular of the devotional litany from “Tommy”:

Listening to you, I get the music / Gazing at you, I get the heat / Following you, I climb the mountain / I get excitement at your feet / Right behind you, I see the millions / On you, I see the glory / From you, I get opinions / From you, I get the story.

In the way it builds, in the way it deifies, in the way it mounts and repeats, it has always reminded me of Ein Keloheinu and Adon Olam.

And here’s my confession: I like singing this part of “Tommy.” A lot. As in, every day. As if it’s a prayer I can’t live without. It owns me. Even though I’m a secular cat. Even though I’d hesitate to call myself spiritual.

I have often wondered why “Tommy” has such a grip on me. My best guess? I think it stems from my six summers at B’nai B’rith Perlman Camp in Starlight, Pennsylvania.

BBPC was a place where you could get in serious trouble — you’d get “docked” from canteen or a team sport, and you’d get a dozen “dead arms” from your counselor — if you didn’t sing with the proper levels of respect and passion. It didn’t matter what the song was. It might be the “Birkat Hamazon”; it might be “The Circle Game”; it might be your color war team’s anthem.

This mild form of cultural hazing left a mark. To this day, I get annoyed at Passover when not everyone is pulling his weight on “Echad Mi Yodea.” And I get annoyed at music shows when the lead vocalist isn’t “bringing it” with everything he has.

And it all has to do with the belief — cultivated at BBPC — that singing is not to be done in a half-assed manner. It doesn’t matter if it’s the Passover table or a stadium concert. Sing it like you mean it, or don’t sing at all.

That last sentence is The Who in general, and “Tommy” in particular.

And so here I am, more than 20 years past my summer camp days. I’m an adult who almost never goes to temple. For all intents and purposes, I’m an atheist. But when I sing songs from Tommy, I feel like I’m regaining a precious piece of my childhood puzzle. It might not be a piece that belongs, strictly speaking, to the Jewish tradition; but it belongs to a lesson that I first learned in a Jewish setting. It is a lesson about passion, and a lesson about effort. And it is a lesson that has stayed with me, ever since.


Ilan Mochari will be reading at Molasses Books (770 Hart St) in Brooklyn on July 11 at 8 p.m. Read more about Ilan here.


The Jewish Book Council is a not-for-profit organization devoted to the reading, writing and publishing of Jewish literature. For more Jewish literary blog posts, reviews of Jewish books and book club resources, and to learn about awards and conferences, please visit www.jewishbookcouncil.org.

MyJewishLearning.com is the leading transdenominational website of Jewish information and education. Visit My Jewish Learning for thousands of articles on Judaism, Jewish holidays, Jewish history and more.

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you move on, I wanted to ask you to support the Forward’s award-winning journalism during our High Holiday Monthly Donor Drive.

If you’ve turned to the Forward in the past 12 months to better understand the world around you, we hope you will support us with a gift now. Your support has a direct impact, giving us the resources we need to report from Israel and around the U.S., across college campuses, and wherever there is news of importance to American Jews.

Make a monthly or one-time gift and support Jewish journalism throughout 5785. The first six months of your monthly gift will be matched for twice the investment in independent Jewish journalism. 

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version