Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

‘Gatsby’ Brings Swagger Back to Cannes

The Cannes film festival may get some of its swagger back on Wednesday when it opens with Baz Luhrmann’s lavish 3D period drama “The Great Gatsby,” an opportunity to shed the caution of recent years overshadowed by broader economic gloom.

Leonardo DiCaprio and his British co-star Carey Mulligan will walk the red carpet on the French Riviera to promote the $105 million adaptation of F. Scott Fitzgerald’s novel which has already opened in North America.

Over 12 days of world premieres, champagne parties and sun-and-celebrity worship, Michael Douglas, Matt Damon, Ryan Gosling, Emma Watson and Bollywood legend Amitabh Bachchanare among the big names in town promoting their latest pictures.

Festival veterans are eager to see if Luhrmann can top his opening in 2001, viewed as the last truly extravagant launch on the palm-lined Croisette waterfront, when he filled the red carpet with can-can girls to promote his movie “Moulin Rouge.”

“For a few years the mood at Cannes was a bit more subdued but the economy has picked up a bit and business is good so people are expecting a big opening,” said Wendy Mitchell, editor of trade magazine Screen International.

“The Great Gatsby” was seen as a surprise choice for Cannes, given that the prestigious opening slot is traditionally reserved for a world premiere and all the media buzz and excitement that can bring.

But “The Great Gatsby” has already screened to mixed reviews in North America, where it opened to a larger-than-expected $51 million at the box office for distributor Warner Bros, a unit of Time Warner Inc.

Some industry insiders said the concession was indicative of increasingly cosy ties between Tinseltown and the French festival that champions eclectic, low-budget movies as well as big-budget blockbusters produced on the U.S. west coast.

A decade ago relatively few U.S. studios ventured to the annual cinema showcase, but festival director Thierry Fremaux has strengthened ties with Hollywood and the event is now the prime industry marketplace where titles are bought and sold.

In Luhrmann’s “The Great Gatsby”, DiCaprio stars in the title role, a millionaire pining for a lost love during the height of the “Roaring Twenties.” Tobey Maguire and Joel Edgerton also appear and rapper Jay-Z produced the soundtrack.

DiCaprio’s performance and the glamorous costumes have been widely praised by critics, but some said the movie failed to grasp the vision of the 1925 book that exposes the emptiness of excess while others disliked its “lurid overabundance.”

“It’s best to accept before buying the popcorn that this is not a literary adaptation but a 3-D blockbuster with Gatsby as a superhero,” wrote critic Kate Muir in Britain’s Times.

After the opening night the focus will shift to hundreds of other films screening at Cannes, including 20 movies from 10 countries competing for the coveted Palme D’Or award presented on the final day, May 26.

The list includes five U.S. movies — the highest number in six years — from directors Steven Soderbergh, Jim Jarmusch, Alexander Payne, the Coen brothers, and James Gray.

Oscar-winning filmmaker Steven Spielberg is heading a star-studded jury to decide the prizes along with Australian actress Nicole Kidman and two of 2013’s Oscar winners, Taiwan-born director Ang Lee and Austrian actor Christoph Waltz.

Watch the trailer for ‘The Great Gatsby’:

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version