Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Rebels Sang Israeli’s Song as They Advanced on Tripoli

In news today from the “it’s a brave, new, global world” department, Michal Levertov, in a piece for Institute for War & Peace Reporting, wrote that television reports this past week have shown Libyans singing and dancing to “Zenga Zenga” as the rebels advanced on Tripoli.

This is brave, new and global because “Zenga Zenga” is a song that was invented last February by 32-year-old Israeli Noy Alooshe for a remix video he made of a speech given by now former Libyan leader Muammar Gaddafi. It spread like wildfire by Facebook and Twitter through the Arab world, making Alooshe a social media superstar, despite the fact that viewers still posted anti-Israel and anti-Semitic comments about the video and its Israeli creator.

Thanks to “Zenga Zenga” (which comes in two versions — one with scantily clad women dancing next to the Colonel, and a more sanitized version without them), Alooshe’s remixing skills and audio-visual political commentary have come to be appreciated well beyond the borders of the Jewish State — in particular in countries officially at war, or at least without diplomatic relations with it. Both versions combined have now garnered close to 6 million views.

Libyan state TV apparently even ran the video for a couple of weeks. Someone there must have thought that watching Gaddafi saying “Zenga Zenga,” over and over was a good thing (“Zenga Zenga” comes from the word “alleyway” in a Libyan dialect — Gadaffi was threatening to hunt down rebels in every alleyway) — until it was realized that the video was meant to mock Gaddafi, not glorify him.

In an interview with Levertov, Alooshe said that he sees how the Internet and social media have broken down barriers once thought to be insurmountable. “Once the internet had broken the barriers, you can see that such a citizen may indeed swear at you publicly — in a Youtube talkback, for instance — but that immediately thereafter the same person will contact you personally and ask for more of your material,” he said.

Alooshe said that of the people who saw the video and wrote how much they liked it, “there were even some Libyans who promised they would dance in the streets to this music when the country was freed.” It looks as though in this brave, new, global world, those Libyans kept their promise.

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version