Slideshow: Brooklyn, the Shtetl
?Eric Moed? by Ali Spechler, oil on canvas, 2010. Courtesy of Hadas Gallery.
By Ezra Glinter June 17, 2011
On her website, artist Ali Spechler describes her interest in “the notion of family and how shared experiences, whether positive or negative, breed strength and support.”
That may not be the intuitive reaction to most of the works in “Brooklyn Shtetl,” Spechler’s current show at New York’s Hadas Gallery. After all, most of the paintings are portraits of individuals rather than of groups, and they seem to set their subjects apart rather than bring them together.
But it is just that sense of apartness that makes Spechler’s focus on community apparent. Each of her colorful, impressionistic paintings seems to have picked its subject out of a group that they will rejoin once the artist is done painting them. Though each portrait exudes individuality, the larger impression is not of a particular person or event, but of an entire social atmosphere, which makes the name of the exhibit perfectly appropriate. The proudly Brooklynite (and often Jewish) sensibility that has recently risen to the top of American culture finds a welcome new expression in Spechler’s paintings.
A message from our CEO & publisher Rachel Fishman Feddersen
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.
At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.
Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.
— Rachel Fishman Feddersen, Publisher and CEO
