Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Friday Film: Bridge to Kashmir

Courtesy of Artists Public Domain

As a child, Tariq Tapa learned to read while traversing Manhattan’s First Avenue to and from school. His mother designed logos for a living (Sky-Line Taxi and Limousine in the Bronx still uses the one she created for the company 25 years ago), and as they walked she would pay particular attention to the signs lining their route, asking her son to sound out the letters he saw. It’s fitting that a couple decades later Tapa, who turned 30 in March and is now a director and screenwriter based in northern California, sees his job partly as a call to animate marks on a page. “The characters you see on a piece of paper, the letters — those can’t be the same as the characters you see before you on the screen, the people,” he said. “I always want to try to turn the abstractions into flesh and blood.”

In his debut film, “Zero Bridge,” which opened at New York’s Film Forum on February 16 and has upcoming screenings in Chicago, Seattle and Pittsburgh, Tapa has succeeded in creating unforgettably vital characters. Set in Srinigar, Kashmir, the film features Dilawar, a misguided 17-year-old smarter than almost everyone around him but incapable of making good choices, and Bani, a young woman whose passport Dilawar has stolen and who unwittingly befriends him. Shaped, like the region they come from, by experiences of violence, oppression and poverty, each represents for the other a source of hope and possible escape. Whether their hopes are fulfilled or escape is achieved remains poignantly ambiguous.

For Tapa, ambiguity is an essential part of storytelling, a truer representation of reality, he says, than any offered by resolution. Raised by a Jewish mother from Atlantic City and a Muslim father from Srinagar (where Tapa spent childhood summers before the insurgency erupted in 1989), he felt a sense of ambiguity in his own life from an early age. Every Saturday, throughout his childhood, he attended Workmen’s Circle meetings and sang songs in Yiddish; every Sunday, he went to the mosque on First Avenue and uttered prayers in Arabic.

But he did not consider himself fully a part of either religion. “When you’re a kid,” he said, “you think, well the only way to access God is, I’ve got to belong either to this treehouse or to that treehouse, whichever one will throw down the ladder and let me up. And if I’m not let into the treehouse, then I don’t get to be close to God.” Never sure which of the treehouses available to him he should climb to, Tapa approached neither.

Instead he turned to cinema. Hiking to the Film Forum (“It’s very, very special,” he said, “to have my own film opening there now”) as often as possible when he was a kid, he felt that the best movies he saw afforded him more of an opportunity for a spiritual understanding of the world than anything else in his life. That feeling deepened when he later studied film at California Institute of the Arts and began his own creative process of bringing to life characters on the screen. As he put it: “The privilege of telling stories and of imagination, and the opportunity to indwell with other consciousnesses, had for me, when I discovered it, every aspect of the gratification of the experience of God.”

Watch the trailer for ‘Zero Bridge’:

Zero Bridge Trailer from ZeroBridgeFilm.com on Vimeo.

A message from our Publisher & CEO Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.