The Joys of Pan-Mizrahi Music
Zehava Ben
By Benjamin Ivry May 20, 2010
Whatever naysayers may claim, Middle Eastern people (and others) delight in Middle Eastern-sounding music. This is one thesis behind a sympathetic new study from Wayne State University Press, “Mediterranean Israeli Music and the Politics of the Aesthetic” by Amy Horowitz.
From the 1950s to the 1990s, Horowitz explains, North African and Middle Eastern immigrants to Israel created a market for a “pan-ethnic Mizrahi style of music.” Star Israeli performers like Haim Moshe, Zohar Argov and Zehava Ben have all fit into this category, although not every listener in Israel was pleased to hear them.
In 1992, the daily Ma’ariv fretted that the music of Zehava Ben, born Zehava Benisty in Beer-Sheva to a Moroccan Jewish family, sounded too Turkish. The alarmist reviewer even claimed that “the Turks have conquered [Tel Aviv].” Horowitz more optimistically points to the rich cultural interaction symbolized by such stars as Ben, much loved by Arab listeners for her recorded tributes to the Egyptian diva Umm Kulthum. Or the gifted Israeli Arab singer Samir Shukry, who pleases fans in Israel as well as in Arab countries.
Many Mizrahi musicians come from humble backgrounds, and Horowitz explores the social conflicts which their impoverished origins imply. She quotes the Yemenite songwriter Avihu Medina who told the daily Yedioth Ahronoth in 1986 that Mizrahi musicians were kept in a symbolic “ghetto.” Medina further criticized the condescending folklore-flavored view of Mizrahi music: “It’s been a long time since we rode donkeys in Yemen, went to synagogue three times a day, ate jachnun, and chewed on khat. We write and sing about being Yemenite Israelis in the here and now.”
Indeed, the lives of Mizrahi musicians can be all too contemporary, like Zohar Argov, who, after years of drug abuse, committed suicide in jail after being arrested on rape charges. Or Ofra Haza, who tragically perished of AIDS at age 42.
Fortunately, there are also happier life stories, like those of the jaunty singers Shimi Tavori and Avner Gadassi. The future of Mizrahi music looks bright as well, symbolized by Boaz Mauda, a 23-year-old so-called “Yemenite cowboy,” who won first prize in the TV music competition Kokhav Nolad. Ethnic and national origins are less important than talent, it turns out.
Watch Zehava Ben perform in 2008:
A message from our CEO & publisher Rachel Fishman Feddersen
I hope you appreciated this article. Before you move on, I wanted to ask you to support the Forward’s award-winning journalism during our High Holiday Monthly Donor Drive.
If you’ve turned to the Forward in the past 12 months to better understand the world around you, we hope you will support us with a gift now. Your support has a direct impact, giving us the resources we need to report from Israel and around the U.S., across college campuses, and wherever there is news of importance to American Jews.
Make a monthly or one-time gift and support Jewish journalism throughout 5785. The first six months of your monthly gift will be matched for twice the investment in independent Jewish journalism.
— Rachel Fishman Feddersen, Publisher and CEO
