Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Breaking News

Nazi-Looted Painting Returned to Poland in Emotional Ceremony

A painting by an 18th-century German artist, one of tens of thousands of Polish art objects looted by the Nazis and missing for 75 years, was returned to Poland by U.S. officials on Thursday.

In an emotional ceremony in New York, Poland’s U.S. Ambassador Ryszard Schnepf thanked the officials as he accepted the painting by Johann Conrad Seekatz, entitled “Saint Philip Baptizing a Servant of Queen Kandaki.”

The painting, dating to 1768 and valued at about $40,000, was given to Poland’s National Museum in Warsaw in 1879 by the Warsaw School of Arts, officials said. The Nazis occupied Warsaw from 1939 to 1945.

In 2006, a New York gallery sold the painting – which it had erroneously listed under a different name and attributed to another painter – to a gallery in London. Both firms cooperated with the investigation, said Assistant U.S. Attorney Sharon Levin, head of the assets forfeiture unit in Manhattan U.S. Attorney Preet Bharara’s office.

U.S. officials timed the presentation ceremony to coincide with the American release on Friday of the Hollywood movie “The Monuments Men” starring George Clooney and Matt Damon.

It recounts the true story of a U.S. military unit of art historians, whose mission it was to recover artwork stolen by the Nazis and return it to the original owners.

That work continues today through The Monuments Men Foundation in Texas, a non-profit group which partners with agencies like U.S. Immigration and Customs Enforcement’s (ICE) Homeland Security Investigations (HSI) division to seize and repatriate works of art discovered or sold on U.S. soil.

The Seekatz painting is the 23rd Nazi-looted item returned by ICE’S HSI officials, said James T. Hayes, head of the division.

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.