“Living Waters: Turtle eating Plastic.” Acrylic on canvas by artist Yona Verwer. This painting will be featured as part of “Activate,” at the Heller Museum in New York, which is partnering with the Jerusalem Biennale to host satellite exhibits while war wages in Israel. (Yona Verwer)

By Julia Gergely November 8, 2023

(New York Jewish Week) – Every two years, hundreds of artists from all over the world flock to Israel for the Jerusalem Biennale, an art festival that celebrates contemporary Jewish and Israeli artists from all over the world. 

Due to the ongoing war between Israel and Hamas, however, the 2023 festival, which was originally supposed to open Thursday, has been tentatively postponed until next spring.

Many of the artists are mounting their shows in their home cities instead. At least five of the Biennale’s exhibits are scheduled to open this week in three continents — North America, South America and Europe — as a satellite version of the festival. 

On Thursday, three of the exhibits — “Activate,” “The Seventeen” and “Hallelujah” — will open in New York City, where more than a dozen artists who are featured in the Biennale call home. 

The Heller Museum at Hebrew Union College-Jewish Institute of Religion, in partnership with the Jewish Arts Salon and the American Sephardi Federation, will host two of the Biennale exhibitions, “Activate” and “The Seventeen.” They will be on view for free at the museum’s East Village location for the next week. 

The Marlene Meyerson JCC Manhattan on the Upper West Side will host a third exhibit, “Hallelujah,” in partnership with the Biennale. The Upper West Side building’s Laurie M. Tisch gallery will show the work beginning Thursday through Dec. 17.

Founded in 2013, the Biennale takes place across the city of Jerusalem and centers contemporary artists whose work references Jewish and Israeli experiences. This year, the Biennale was prepared to bring more than 200 artists to Jerusalem to host 35 exhibitions across the city under the theme of “Iron Flock,” which aims to “identify, through the eyes of curators and artists from all over the world, the movements, ideas, people, and moments that have become our unsaleable cultural assets,” as the Jerusalem Biennale’s website describes it. 

“The Jerusalem Biennale became like a pulse, beating steadily every two years. Since 2013, without exception and despite the many challenges, the Jerusalem Biennale has created a platform for contemporary art at the very center of the Jewish world. Until now. It’s as if the heart skips a beat,” Rami Ozeri, the festival’s founder and creator director, said in a press release. 

“But even now, after the unspeakable pain of October 7, we have witnessed a huge outpouring of solidarity from around the world,” he added. “Within weeks, our friends and partners have succeeded in mounting in their own cities the exhibitions created for the Jerusalem Biennale. We will continue to nurture the ties of art and culture between Jerusalem and the world today more than ever.”

At the Heller Museum, “Activate: A New York Women’s Perspective,” curated by Israeli artist Hadas Glazer, showcases the work of six New York artists — Siona Benjamin, Goldie Gross, Ronit Levin Delgado, Joan Roth, Chelsea Steinberg Gay and Yona Verwer — who explore “the complexities of life as a woman today,” according to a press release.  

Also at the museum, “The Seventeen” spans the 40-year career of Brooklyn-born artist Archie Rand. Curated by Samantha Baskind, the exhibition continues the artist’s explorations of “the Bible and Jewish texts in serialized paintings conceptually informed by twentieth-century culture,” according to the Jewish Art Salon website. 

Meanwhile, at the JCC, “Hallelujah” will showcase Israeli artists currently living in New York who have created art about their experiences as immigrants to the United States. On view will be works by Noa Charuvi, Hirut Yosef , Yehudit Feinstein, Yuli Aloni Primor, Gal Cohen, Ken Goshen, Gabriela Vainsencher and Maya Baran. 

Other exhibitions that were intended for the Biennale will be mounted at the AMIA Art Space in Buenos Aires and the Jewish Museum of Casale Monferrato in Italy. 

Ozeri said in a press release that more of the exhibits will open around the world in the coming months as a plan is made for the Biennale to take place in Jerusalem next year. “This heart will always keep beating,” he said. 

This article originally appeared on JTA.org.

A message from our Publisher & CEO Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

The coming year promises to be filled with more complex and historic developments. We are entering an era where independent, fact-based Jewish journalism will be more important than ever. We need to be ready for whatever 2025 will bring, and with your help, we can be.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

$36 $500

$120 $180 Other amount