Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Fast Forward

Head Screenwriter Of Israeli Drama ‘Fauda’ Teaching At Rutgers This Fall

(JTA) — The Israeli screenwriter who serves as head writer for the hit series “Fauda” will teach at Rutgers University for the Fall semester.

Moshe Zonder will teach “Screenwriting for Television” in the Creative Writing Program, as part of the Schusterman Visiting Israeli Artists Program. He also will participate in outreach activities of the Allen and Joan Bildner Center for the Study of Jewish Life, including the Rutgers Jewish Film Festival.

“Fauda,” the Israeli drama in Hebrew and Arabic, focuses on a commando unit of the Israeli Defense Forces whose members embed themselves in the Palestinian community, gathering intelligence and preventing terror attacks. Netflix has aired its first two seasons with English subtitles.

Zonder has written screenplays for film and television, including the documentary film “Sabena Hijacking,” on the 1972 hijacking of a Sabena Airways flight bound for Israel. He currently is working on several projects, including writing a dramatic series about Israel’s struggle against the Iranian nuclear program and writing a dystopian series about a futuristic State of Israel ruled by a king who builds the Third Temple in Jerusalem. Zonder began his career as an investigative journalist at the Hebrew-language daily newspaper Maariv.

The Visiting Israeli Artists Program is an initiative of the Israel Institute, a Washington, D.C.-based academic institute, aimed to enhance knowledge about modern Israel by bringing Israeli filmmakers, choreographers, musicians, writers, and visual artists to universities and other cultural organizations in North America for residencies.  It was founded by the Charles and Lynn Schusterman Family Foundation in 2008.

Alyssa Fisher is a news writer at the Forward. Email her at fisher@forward.com, or follow her on Twitter at @alyssalfisher

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version