Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Culture

Israel Museum Returns Nazi-Looted Impressionist Painting to Heir of Owner

The Israel Museum returned a Nazi-looted painting to the heirs of its original owner, then repurchased the artwork.

The Impressionist painting “Garden in Wannsee” by the German-Jewish artist Max Liebermann was returned to an heir of Max Cassirer, a wealthy Berlin businessman and scion of a renowned family of art dealers, the museum said in a statement Tuesday. The price of the repurchase was not to be disclosed, according to the agreement.

Nazi persecution forced Cassirer to sell his business, Dr. Cassirer & Co., in 1935. Four years later he immigrated to Switzerland and later to England.

In 1941, Cassirer’s assets were confiscated by the Nazis. Some of his paintings were sold at auction, and others, including “Garden in Wannsee,” were seized by a Nazi looting agency.

Following World War II, the painting was found and handed over to the Jewish Restitution Successor Organization, or JRSO. In 1950, the restitution agency gave the painting to the Bezalel National Museum, the precursor to the Israel Museum.

A prewar photo was discovered showing the painting hanging in Cassirer’s home in Berlin, leading to the restitution.

“The rightful restitution of works of art that were stolen or unwillingly sold during the Second World War is a challenge that many continue to face, and it is gratifying when ongoing research relating to JRSO works in our collection results in their return,” said James Snyder, the Anne and Jerome Fisher director of the Israel Museum. “We do our best to be exemplary in the handling of World War II restitution claims and are especially pleased to be able to achieve a resolution in the case of Max Liebermann’s masterwork ‘Garden of Wannsee,’ with title restituted to its rightful heirs, while we are able to continue to keep the work itself for the Museum’s collection.”

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse..

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.