Marion Lignana Rosenberg
By Marion Lignana Rosenberg
-
The Schmooze Master of the Jewish Renaissance
The notion of a European “renaissance” in the 14th through 17th centuries has grown more problematic in recent decades, challenged by historians of many stripes. They include those who emphasize cultural continuities, as well as those who draw attention to stagnation in science and mathematics during that period of supposed reawakening. Still, nowhere is it…
-
The Schmooze Wunderkind Composer Hits the Road
Electric energy pulses through the music of Tel Aviv-born pianist and composer Matan Porat. Earlier this year pianist David Greilsammer and the Israeli Chamber Project released recordings of his works, and he will tour North America this month and next spring with Musicians from Marlboro. He will be at the keyboard for György Ligeti’s 1982…
-
The Schmooze Handel, Egypt and the Jews
The sheer number of oratorios that George Frideric Handel wrote on Jewish subjects, including “Solomon,” “Esther,” “Joseph,” “Saul,” and “Judas Maccabeus,” has long led critics to suppose that he was a stout friend to the Children of Israel, and that London Jews were key patrons of his music. More recent scholarship suggests that Handel’s purported…
-
The Schmooze The Fresh Faces of Chamber Music
The photo of sweet-faced young people on the CD cover does not prepare you for the ferocity of the music making on “Opus 1” (Azica), the debut recording by the Israeli Chamber Project. Founded in 2008, the ICP as configured for Opus 1 comprises clarinetist Tibi Cziger, cellist Michal Korman, harpist Sivan Magen, pianist Assaff…
-
The Schmooze And Haydn Said, ‘Let There Be Light’
“On the Sublime” is a treatise from early in the Common Era by an unknown author, conventionally styled Longinus. Some scholars suspect that Longinus was a Hellenized Jew because he or she paraphrased Genesis, praising Moses for telling of Divinity’s power “in the opening words of his ‘Laws’: ‘God said’ — what? — ‘let there…
-
The Schmooze Classical Pianist Goes Wild
Two enthralling recordings that pair keyboard music from centuries past with contemporary works have been released this year. The first is Jeremy Denk’s “Ligeti/Beethoven” (Nonesuch), which bookends Beethoven’s otherworldly Sonata Opus 111 with György Ligeti’s astringent and electrifying études. The other is “Baroque Conversations” (Sony Classical) by the Jerusalem-born pianist and conductor “David Greilsammer,” who…
-
The Schmooze Verdi in Terezín
The 2013 bicentennial of Giuseppe Verdi’s birth is fast approaching. The great Italian opera composer first won fame with “Nabucco” (1842), based at several removes on the biblical book of Jeremiah. The stateless Italians of the day saw themselves in the opera’s enslaved Israelites, and the chorus “Va, pensiero” (drawn from Psalm 137) threaded itself…
-
The Schmooze Musical Migrations From Spain to Norway
In a thoughtful article published last year, memoirist and novelist André Aciman explored the “pathless Odyssey” around the Mediterranean taken by the song “Naci en Alamo.” Musicians of many different languages and ethnicities, including Yasmin Levy, have taken up this so-called “Song of the Gypsies,” whose origins are disputed and elusive. For Aciman, the ballad…
Explore
Most Popular
- 1
Fast Forward Why neo-Nazis marched in Ohio this weekend, and almost every weekend in the US
- 2
Opinion The group behind Project 2025 has a plan to protect Jews. It will do the opposite.
- 3
Opinion Just about every interpretation of Trump’s narrow election victory is wrong
- 4
News Your complete guide to Trump’s Jewish advisers and pro-Israel cabinet
In Case You Missed It
-
Looking Forward How a Jewish student at Columbia became an icon of a movement
-
Culture At 95, Shaindel Schreiber is still dispensing babka and advice on the Lower East Side
-
Fast Forward Fighting antisemitism is ‘an American issue’ not a Democratic or Republican one, says House Democratic leader
-
Fast Forward Netanyahu now faces arrest in several Western countries following ICC warrant
-
Shop the Forward Store
100% of profits support our journalism
