A.J. Goldmann
By A.J. Goldmann
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Culture Has Woody Allen ever told you how lucky he is?
With his 50th film, 'Coup de Chance,' the director shrugs off abuse allegations and returns once again to a theme that's been a constant throughout his career
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Film & TV How one Jewish woman’s crusade became the year’s most talked-about documentary
In 'All the Beauty and the Bloodshed,' artist Nan Goldin takes on the Sackler family
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Culture Eternally fascinated with Jewish culture, Wes Anderson delivers the best film of the year
This year’s Cannes Film Festival had its share of controversial titles, including a disturbing musical about a murderous comedian and a gorefest about a woman who has sex with cars and goes on killing sprees. But no other film at the festival inspired such heated discussion and debate as Wes Anderson’s long-awaited “The French Dispatch.”…
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Culture In the West Bank, confronting pain and oppression with humor and absurdity
“Let It Be Morning,” the latest film from Eran Kolirin, the Israeli director best-known for his 2007 comedy “The Band’s Visit,” is another gently absurd comedy with a majority Arab cast. The film, which had its world premiere in Un Certain Régard at the Cannes Film Festival, is about Sami, a Palestinian telecom executive, who…
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Culture A life with (and now without) Ronit Elkabetz
Israeli cinema had a banner year at the recently-concluded Cannes Film Festival — three films were featured in the official selection. Taken together, the Israeli entries formed a powerful triptych of the country’s society and culture. Nadav Lapid’s Jury-Prize-winning “Ahed’s Knee” was an incendiary critique of life as an artist. Eran Kolorin’s “Let It Be…
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Culture From Israel, an anguished cry of rage, pain and love
Two years after he won the Golden Bear at the Berlin Film Festival with his existential and diasporic parable “Synonyms,” Israeli auteur Nadav Lapid traded the marshes of Prussia for the beaches of Southern France, where his latest film, “Ahed’s Knee” picked up the Prix de la Jury at the 74th Cannes Film Festival. Lapid,…
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Culture A newly-animated Anne Frank for today’s Europe
“She’s the greatest spiritual treasure this country has produced since Rembrandt,” a modern-day Dutch policeman explains in Ari Folman’s “Where is Anne Frank,” which recently premiered at this year’s Cannes Film Festival. He’s speaking to a little girl in 1940s clothing who is skating down a frozen canal in Amsterdam and who introduces herself as…
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Culture Chatting with Charlotte Gainsbourg about her mother, Jane Birkin, in Cannes
“When you were about 14 years old, I was dying to see you naked,” Jane Birkin tells her daughter Charlotte Gainsbourg towards the beginning of “Jane par Charlotte,” a documentary about the duo that had its world premiere earlier this week at the Cannes Film Festival. It’s one of the most provocative moments in the…
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